Lyrics
filament
This
is one of the first songs we wrote that was finally starting to close
in on the kind of sound we wanted to put across. It was dense, had programming
in close-weave layers, sampled looped guitars, lyrics that exposed the
radiant abyss of our world stretched out under a coma of stars. Im
not particularly interested in bastardising every song to a political
end, but occasionally the frustration of the way we wantonly ravage
the earth comes out.
I also
used Blow A Fuse which is an ancient phrase that I hadnt
used since I was a teen to describe being out of my head: I was
really fuse-blown at the Terminal Bar last night, could hardly stand
up. After resurrecting it here its wormed its way back into
my lexicon, appearing all the time in my signatures.
We gave
birth to Television (Zeus),
emerging from our brow (Zenith).
Blurred the sky with radar dishes,
choking up the airwaves.
Its coming down.
Our kiss gives blisters,
the Midas touch
Medusa in smokestacks.
Turn to tarmac, highway ribbons,
factory stench,
smoke belching.
Cover up the air in a cloak of black.
Blow a fuse in/and overload.
We gave birth to one thousand suns above our heads.
We gave birth to fire in the sky.
A stitch in time
now hypodermic.
Beaches drowning in medical waste:
waves of cotton, hair balls,
blood clots, oil drums bursting
the Exxon backwash leaves a bad taste.
Power failure.
Socket burnout (such a burnout).
Ozone turned to aerosol.
Water and lead
and iodine (a toast)
and apathy will dig a grave for us all.
(under a television sky)
i still bleed
Legs bent
and twisted up underneath me,
limbs like wood my blood flows like pitch.
My body shudders and curls against your jaw,
blackened and burned in need
of a stitch
or two.
You sewed me up and pulled me apart
You sewed me up and pulled me to bits
Your disease comes sinking into me
its teeth all chiselled mercilessly,
hammering my nerves
until I'm split and severed,
but somehow you don't see...
I still bleed.
I hear the razor call and I bleed.
Every time we touch,
I still bleed.
Down the long grinding night
a cigarette burns a slow hole into my split lip.
My eyes burn out cause I see too much.
I touch your mouth, cold skin, your hips.
Kiss the wound where I still bleed.
I still bleed.
Lying just South of your Mouth,
acid burns in every kiss.
Loaded breach and swallowed barrel.
I never thought it might come to this.
Touch. Bleed. You touch me, I bleed.
Try to hold myself shut, together,
stapled,
sutured,
but every time we touch
then I still bleed.
I still bleed.
(Ill make you do it too)
blunt force trauma
This
is for all the broken ones. You know who you are.
Someone
actually asked me if I liked gang raping little boys. I was momentarily
stunned, and then, instead of simply walking away or slugging him, I
said hell no, I like my boys all grown up and mouthy, like you
which shut him right up. Bitch.
=I hate
a man like you so much Im gonna get your head down in the mud
and trample it. Im gonna make you wish youd never been born=
Hunt them
out.
Drag them into the streets.
Humiliate them.
Baseball bat beats.
Spinning out of control
in the city's belly.
Running wild
throughout the veins
of the night,
mangled, ripped clothing.
"Open wide!"
Nothing you can do.
Abduction;
"He's so cute!"
Daddy's little boy.
Getting all amped up
to rip this toy...in two.
Ugly joy ride!
On your hips!
Gang rape!
Revving engines
Overheating.
Boiling up,
exposed and bleeding.
Little boy tossed from fist to fist.
Don't make a sound!
Watch him squirm and twist.
Gasoline.
Sweat gleams.
Screams.
They don't care.
(Spinning out of control.
Drunk on the violence.)
Ugly joy ride!
Gang rape!
To the outside of town,
force his face down.
Watch the scene,
distorted focus,
ugly and mean.
going to tear him up.
Amped up for a nasty joy ride
spinning out of control.
going on an ugly joy ride.
Joy ride.
Spinning wheels,
clenched teeth,
split lip,
"bad trip!"
Gang raped.
Bang Bang!
He's so cute,
daddy's little angel.
He's so cute,
daddy's little angel,
like a sponge
to soak up all the fluid
breaking off inside.
black radio (in the neon blur)
Unquestionably
my fave part of this joint is the big band sounding break in it that
is in fact from a Madonna song. It seemed so perfectly out of character
for a Machine Rock band to use a sample like that and Ive always
revelled in the unexpected . We wrote a song called Gasmask
for the Nine Inch Nails tour that had a really fucked up, huge and heavily
distorted Big Band break in it that was blasting horns and charged tempo,
just right for the What The Fuck Is Wrong With These Guys
Department and a total shock in the middle of the song, straight out
of left field. I really dig Big Band and Ive always wanted to
incorporate a horn section to the live band, the raw power theyd
bring to the songs would be devastating, punchy and uncompromising,
not a joke, just a kick in the teeth. Lyrically, this is the first time
I shot text off to/for and inspired by the Blackout Tribe, the wireheads,
the Bosozoku speed tribes and jakplugz
let's go
current jumping,
decode the matrix keys,
plug in a virus.
spreading out in the system
there's a hole in the network
there's blackout on the wire.
electricity crackling in electric city.
black radio in the neon blur.
velocity curve
don't get caught in the power surge
don't get caught
blackout boys,
don't get trapped
you live wires,
don't get trapped or burned out
on bad current, velocity backlash
what's in the air tonight?
a retrovirus in the system
coming up on your blind side
360 degree scan, watch your back
don't get trapped in a lock down.
electricity drunken,
hardwired for down link in the Silent Underground.
accelerating through cool gray static
picking up on black box transmissions.
velocity curve
don't get caught in the power surge
don't get caught
all you blackout boys
don't get trapped
you live wires
don't get trapped
the Tribe is in the system tonight,
a retrovirus coming up on your blind side
360 degree scan, watch your back!
future shock!
don't get trapped in the past!
21st
century
This
is such a frustrating song. It came together while we were in the studio
after the KMFDM tour. We were working on some remixes of Chemical
Halo, twisting their framework with Critter and Howie. Id
wanted to re-release the 10 Ton Pressure ep because there were only
1000 copies of it pressed originally, it was long sold out. It seemed
to me that, even with the ep and the remixes, we were missing something
essential, and a new song, a smell of what was coming on the next disc
was what the fans deserved. The songs one that Geno unleashed,
something hed been churning, and it felt so right at the time.
We worked on it forever, but I dont feel that we were ever able
to get it to come correct. It fumbles half-formed and trembling, exposed
in the light too soon, its leathery wings still wet. We couldve
done better justice to his song and every time I listen to it I want
to drag it back into the studio and fix it, rewire it. Thats why
its called rough sex demo. I do love his guitar playing
on it though.
Splattered
cross the signalled sky
searching for future vision,
covering up one eye.
Flip the switch on this retro brain-fry.
Strap yourself in for the ride of your lifetime.
We'll plug you into our machine,
hooked up on Psychodrene.
Impact in the 21st century,
yeah, 21.
LED's are burning
the edge is near,
sentenced to life without parole in the Technosphere.
Bury your past,
rocket on out of here,
we're going to blow our minds out in the stratosphere.
We'll plug you into our machine,
hooked up on Psychodrene.
Impact in the 21st century